• -
    projects
  • Bracket Vol. 03
  • plusminusten
  • a design film festival 2011
  • Division of industrial design
  • bracket vol. 02
  • surround
  • adapter
  • design boundaries
  • calendar 2011
  • bracket vol. 01
  • a design film festival
  • help save paper
  • krish
  • h is for haiti
  • art with sound
  • dual city sessions: null
  • distillery studio
  • noise
silnt
-
information


SILNT (pronounced as si'lent) is a design practice based in the republic of singapore.

Established in March 2005, the studio is made up of two partners, Felix Ng (b.1982) and Germaine Chong (b.1985).
-
contact


studio
11e mount sophia #01-27
singapore 228469
tel: (65) 6336 6804
email: studio@silnt.com
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newsletter


subscribe to our mailing list to be updated on future projects.

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made in the republic of singapore
2005 - 2012 © silnt
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    Bracket Vol. 03


    For the third volume of our eight-part series, Bracket — we survey 16 individuals on the future of education and its' impact on creativity. The interviews are unedited and uncensored.

    The paper is produced in Singapore and printed on 55gsm Recypal.

    Publisher: Anonymous
    Concept & Design: SILNT

    Visit www.brckt.com
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    navigate


    previous / next
  • -
    Bracket Vol. 03


    For the third volume of our eight-part series, Bracket — we survey 16 individuals on the future of education and its' impact on creativity. The interviews are unedited and uncensored.

    The paper is produced in Singapore and printed on 55gsm Recypal.

    Publisher: Anonymous
    Concept & Design: SILNT

    Visit www.brckt.com
    -
    navigate


    previous / next
  • -
    Bracket Vol. 03


    For the third volume of our eight-part series, Bracket — we survey 16 individuals on the future of education and its' impact on creativity. The interviews are unedited and uncensored.

    The paper is produced in Singapore and printed on 55gsm Recypal.

    Publisher: Anonymous
    Concept & Design: SILNT

    Visit www.brckt.com
    -
    navigate


    previous / next
  • -
    Bracket Vol. 03


    For the third volume of our eight-part series, Bracket — we survey 16 individuals on the future of education and its' impact on creativity. The interviews are unedited and uncensored.

    The paper is produced in Singapore and printed on 55gsm Recypal.

    Publisher: Anonymous
    Concept & Design: SILNT

    Visit www.brckt.com
    -
    navigate


    previous / next
  • -
    Bracket Vol. 03


    For the third volume of our eight-part series, Bracket — we survey 16 individuals on the future of education and its' impact on creativity. The interviews are unedited and uncensored.

    The paper is produced in Singapore and printed on 55gsm Recypal.

    Publisher: Anonymous
    Concept & Design: SILNT

    Visit www.brckt.com
    -
    navigate


    previous / next
  • -
    Bracket Vol. 03


    For the third volume of our eight-part series, Bracket — we survey 16 individuals on the future of education and its' impact on creativity. The interviews are unedited and uncensored.

    The paper is produced in Singapore and printed on 55gsm Recypal.

    Publisher: Anonymous
    Concept & Design: SILNT

    Visit www.brckt.com
    -
    navigate


    previous / next
  • -
    Bracket Vol. 03


    For the third volume of our eight-part series, Bracket — we survey 16 individuals on the future of education and its' impact on creativity. The interviews are unedited and uncensored.

    The paper is produced in Singapore and printed on 55gsm Recypal.

    Publisher: Anonymous
    Concept & Design: SILNT

    Visit www.brckt.com
    -
    navigate


    previous / next
  • -
    Bracket Vol. 03


    For the third volume of our eight-part series, Bracket — we survey 16 individuals on the future of education and its' impact on creativity. The interviews are unedited and uncensored.

    The paper is produced in Singapore and printed on 55gsm Recypal.

    Publisher: Anonymous
    Concept & Design: SILNT

    Visit www.brckt.com
    -
    navigate


    previous / next
  • -
    plusminusten


    plusminusten is an exhibition celebrating dieter rams 10 principles for good design.

    10 graphic designers were invited to each visually translate each of the 10 principles. The brief is simple. What if the 10 principles were visualized? Is it possible to use graphic design to not only translate but elevate
    the written word?

    Produced by Anonymous
    Exhibition design by SILNT

    Visit www.plusminusten.com
    Watch the video retrospective
    -
    navigate


    previous / next
  • -
    plusminusten


    plusminusten is an exhibition celebrating dieter rams 10 principles for good design.

    10 graphic designers were invited to each visually translate each of the 10 principles. The brief is simple. What if the 10 principles were visualized? Is it possible to use graphic design to not only translate but elevate
    the written word?

    Produced by Anonymous
    Exhibition design by SILNT

    Visit www.plusminusten.com
    Watch the video retrospective
    -
    navigate


    previous / next
  • -
    plusminusten


    plusminusten is an exhibition celebrating dieter rams 10 principles for good design.

    10 graphic designers were invited to each visually translate each of the 10 principles. The brief is simple. What if the 10 principles were visualized? Is it possible to use graphic design to not only translate but elevate
    the written word?

    Produced by Anonymous
    Exhibition design by SILNT

    Visit www.plusminusten.com
    Watch the video retrospective
    -
    navigate


    previous / next
  • -
    plusminusten


    plusminusten is an exhibition celebrating dieter rams 10 principles for good design.

    10 graphic designers were invited to each visually translate each of the 10 principles. The brief is simple. What if the 10 principles were visualized? Is it possible to use graphic design to not only translate but elevate
    the written word?

    Produced by Anonymous
    Exhibition design by SILNT

    Visit www.plusminusten.com
    Watch the video retrospective
    -
    navigate


    previous / next
  • -
    plusminusten


    plusminusten is an exhibition celebrating dieter rams 10 principles for good design.

    10 graphic designers were invited to each visually translate each of the 10 principles. The brief is simple. What if the 10 principles were visualized? Is it possible to use graphic design to not only translate but elevate
    the written word?

    Produced by Anonymous
    Exhibition design by SILNT

    Visit www.plusminusten.com
    Watch the video retrospective
    -
    navigate


    previous / next
  • -
    plusminusten


    plusminusten is an exhibition celebrating dieter rams 10 principles for good design.

    10 graphic designers were invited to each visually translate each of the 10 principles. The brief is simple. What if the 10 principles were visualized? Is it possible to use graphic design to not only translate but elevate
    the written word?

    Produced by Anonymous
    Exhibition design by SILNT

    Visit www.plusminusten.com
    Watch the video retrospective
    -
    navigate


    previous / next
  • -
    A Design Film Festival 2011


    Creative direction and strategy
    for A Design Film Festival 2011.

    Conceived by Anonymous, the festival is a celebration of films on design, architecture, technology, fashion and its subculture.

    Visit website
    Watch festival indent
    -
    navigate


    previous / next
  • -
    A Design Film Festival 2011


    Creative direction and strategy
    for A Design Film Festival 2011.

    Conceived by Anonymous, the festival is a celebration of films on design, architecture, technology, fashion and its subculture.

    Visit website
    -
    navigate


    previous / next
  • -
    A Design Film Festival 2011


    Creative direction and strategy
    for A Design Film Festival 2011.

    Conceived by Anonymous, the festival is a celebration of films on design, architecture, technology, fashion and its subculture.

    Visit website
    -
    navigate


    previous / next
  • -
    A Design Film Festival 2011


    Creative direction and strategy
    for A Design Film Festival 2011.

    Conceived by Anonymous, the festival is a celebration of films on design, architecture, technology, fashion and its subculture.

    Visit website
    -
    navigate


    previous / next
  • -
    A Design Film Festival 2011


    Creative direction and strategy
    for A Design Film Festival 2011.

    Conceived by Anonymous, the festival is a celebration of films on design, architecture, technology, fashion and its subculture.

    Visit website
    -
    navigate


    previous / next
  • -
    Division of industrial design


    In 2011, the Division of Industrial Design at National University of Singapore, gained independence from the Department of Architecture.

    In line with this transformation, we designed the division's identity, brand guidelines and a retrospective book to celebrate their 2010 - 2011 achievements.
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    navigate


    previous / next
  • -
    Division of industrial design


    In 2011, the Division of Industrial Design at National University of Singapore, gained independence from the Department of Architecture.

    In line with this transformation, we designed the division's identity, brand guidelines and a retrospective book to celebrate their 2010 - 2011 achievements.
    -
    navigate


    previous / next
  • -
    Division of industrial design


    In 2011, the Division of Industrial Design at National University of Singapore, gained independence from the Department of Architecture.

    In line with this transformation, we designed the division's identity, brand guidelines and a retrospective book to celebrate their 2010 - 2011 achievements.
    -
    navigate


    previous / next
  • -
    Division of industrial design


    In 2011, the Division of Industrial Design at National University of Singapore, gained independence from the Department of Architecture.

    In line with this transformation, we designed the division's identity, brand guidelines and a retrospective book to celebrate their 2010 - 2011 achievements.
    -
    navigate


    previous / next
  • -
    Division of industrial design


    In 2011, the Division of Industrial Design at National University of Singapore, gained independence from the Department of Architecture.

    In line with this transformation, we designed the division's identity, brand guidelines and a retrospective book to celebrate their 2010 - 2011 achievements.
    -
    navigate


    previous / next
  • -
    Division of industrial design


    In 2011, the Division of Industrial Design at National University of Singapore, gained independence from the Department of Architecture.

    In line with this transformation, we designed the division's identity, brand guidelines and a retrospective book to celebrate their 2010 - 2011 achievements.
    -
    navigate


    previous / next
  • -
    Division of industrial design


    In 2011, the Division of Industrial Design at National University of Singapore, gained independence from the Department of Architecture.

    In line with this transformation, we designed the division's identity, brand guidelines and a retrospective book to celebrate their 2010 - 2011 achievements.
    -
    navigate


    previous / next
  • -
    Division of industrial design


    In 2011, the Division of Industrial Design at National University of Singapore, gained independence from the Department of Architecture.

    In line with this transformation, we designed the division's identity, brand guidelines and a retrospective book to celebrate their 2010 - 2011 achievements.
    -
    navigate


    previous / next
  • -
    Division of industrial design


    In 2011, the Division of Industrial Design at National University of Singapore, gained independence from the Department of Architecture.

    In line with this transformation, we designed the division's identity, brand guidelines and a retrospective book to celebrate their 2010 - 2011 achievements.
    -
    navigate


    previous / next
  • -
    Division of industrial design


    In 2011, the Division of Industrial Design at National University of Singapore, gained independence from the Department of Architecture.

    In line with this transformation, we designed the division's identity, brand guidelines and a retrospective book to celebrate their 2010 - 2011 achievements.
    -
    navigate


    previous / next
  • -
    bracket vol. 02


    Bracket is conceived as a publication that features everything in between. Ideas, voices and processes that are overlooked and under-appreciated.

    The collection features 8 volumes to be published from now till 2012 on topics from Craft, Hunger, Ethics to Failure.

    The A2 large format paper is printed on 100gsm Eural Offset.

    Publisher: Anonymous
    Concept & Design: SILNT

    Visit www.brckt.com
    -
    navigate


    previous / next
  • -
    bracket vol. 02


    Bracket is conceived as a publication that features everything in between. Ideas, voices and processes that are overlooked and under-appreciated.

    The collection features 8 volumes to be published from now till 2012 on topics from Craft, Hunger, Ethics to Failure.

    The A2 large format paper is printed on 100gsm Eural Offset.

    Publisher: Anonymous
    Concept & Design: SILNT

    Visit www.brckt.com
    -
    navigate


    previous / next
  • -
    bracket vol. 02


    Bracket is conceived as a publication that features everything in between. Ideas, voices and processes that are overlooked and under-appreciated.

    The collection features 8 volumes to be published from now till 2012 on topics from Craft, Hunger, Ethics to Failure.

    The A2 large format paper is printed on 100gsm Eural Offset.

    Publisher: Anonymous
    Concept & Design: SILNT

    Visit www.brckt.com
    -
    navigate


    previous / next
  • -
    bracket vol. 02


    Bracket is conceived as a publication that features everything in between. Ideas, voices and processes that are overlooked and under-appreciated.

    The collection features 8 volumes to be published from now till 2012 on topics from Craft, Hunger, Ethics to Failure.

    The A2 large format paper is printed on 100gsm Eural Offset.

    Publisher: Anonymous
    Concept & Design: SILNT

    Visit www.brckt.com
    -
    navigate


    previous / next
  • -
    bracket vol. 02


    Bracket is conceived as a publication that features everything in between. Ideas, voices and processes that are overlooked and under-appreciated.

    The collection features 8 volumes to be published from now till 2012 on topics from Craft, Hunger, Ethics to Failure.

    The A2 large format paper is printed on 100gsm Eural Offset.

    Publisher: Anonymous
    Concept & Design: SILNT

    Visit www.brckt.com
    -
    navigate


    previous / next
  • -
    bracket vol. 02


    Bracket is conceived as a publication that features everything in between. Ideas, voices and processes that are overlooked and under-appreciated.

    The collection features 8 volumes to be published from now till 2012 on topics from Craft, Hunger, Ethics to Failure.

    The A2 large format paper is printed on 100gsm Eural Offset.

    Publisher: Anonymous
    Concept & Design: SILNT

    Visit www.brckt.com
    -
    navigate


    previous / next
  • -
    bracket vol. 02


    Bracket is conceived as a publication that features everything in between. Ideas, voices and processes that are overlooked and under-appreciated.

    The collection features 8 volumes to be published from now till 2012 on topics from Craft, Hunger, Ethics to Failure.

    The A2 large format paper is printed on 100gsm Eural Offset.

    Publisher: Anonymous
    Concept & Design: SILNT

    Visit www.brckt.com
    -
    navigate


    previous / next
  • -
    Surround


    Interactive design for photography studio, Surround.

    To reinforce Surround's specialization in visual story-telling, we focused on featuring only story-driven projects from the studio. This meant removing any past projects that were one-off or part of umbrella categories such as food, fashion and spaces.

    The site is designed with a vertical accordion navigation, with the contents populated in a horizontal order.

    www.surround.sg
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    navigate


    previous / next
  • -
    Surround


    Interactive design for photography studio, Surround.

    To reinforce Surround's specialization in visual story-telling, we focused on featuring only story-driven projects from the studio. This meant removing any past projects that were one-off or part of umbrella categories such as food, fashion and spaces.

    The site is designed with a vertical accordion navigation, with the contents populated in a horizontal order.

    www.surround.sg
    -
    navigate


    previous / next
  • -
    Surround


    Interactive design for photography studio, Surround.

    To reinforce Surround's specialization in visual story-telling, we focused on featuring only story-driven projects from the studio. This meant removing any past projects that were one-off or part of umbrella categories such as food, fashion and spaces.

    The site is designed with a vertical accordion navigation, with the contents populated in a horizontal order.

    www.surround.sg
    -
    navigate


    previous / next
  • -
    Surround


    Interactive design for photography studio, Surround.

    To reinforce Surround's specialization in visual story-telling, we focused on featuring only story-driven projects from the studio. This meant removing any past projects that were one-off or part of umbrella categories such as food, fashion and spaces.

    The site is designed with a vertical accordion navigation, with the contents populated in a horizontal order.

    www.surround.sg
    -
    navigate


    previous / next
  • -
    Adapter


    The Singapore Art Museum and FARM invited SILNT to MADE FOR SAM - a re-invention of everyday items into a special range of functional and inspiring objets d'art that museum visitors can take home and use in their daily lives. Our brief was to design a pencil case for grown-ups.

    The Adapter is a flexible plug-in that can be used on almost any cylindrical object - like a cup or a glass beaker, and turns it into an organized pencil holder.

    Visit Farm store
    -
    navigate


    previous / next
  • -
    Adapter


    The Singapore Art Museum and FARM invited SILNT to MADE FOR SAM - a re-invention of everyday items into a special range of functional and inspiring objets d'art that museum visitors can take home and use in their daily lives. Our brief was to design a pencil case for grown-ups.

    The Adapter is a flexible plug-in that can be used on almost any cylindrical object - like a cup or a glass beaker, and turns it into an organized pencil holder.

    Visit Farm store
    -
    navigate


    previous / next
  • -
    Adapter


    The Singapore Art Museum and FARM invited SILNT to MADE FOR SAM - a re-invention of everyday items into a special range of functional and inspiring objets d'art that museum visitors can take home and use in their daily lives. Our brief was to design a pencil case for grown-ups.

    The Adapter is a flexible plug-in that can be used on almost any cylindrical object - like a cup or a glass beaker, and turns it into an organized pencil holder.

    Visit Farm store
    -
    navigate


    previous / next
  • -
    Adapter


    The Singapore Art Museum and FARM invited SILNT to MADE FOR SAM - a re-invention of everyday items into a special range of functional and inspiring objets d'art that museum visitors can take home and use in their daily lives. Our brief was to design a pencil case for grown-ups.

    The Adapter is a flexible plug-in that can be used on almost any cylindrical object - like a cup or a glass beaker, and turns it into an organized pencil holder.

    Visit Farm store
    -
    navigate


    previous / next
  • -
    Adapter


    The Singapore Art Museum and FARM invited SILNT to MADE FOR SAM - a re-invention of everyday items into a special range of functional and inspiring objets d'art that museum visitors can take home and use in their daily lives. Our brief was to design a pencil case for grown-ups.

    The Adapter is a flexible plug-in that can be used on almost any cylindrical object - like a cup or a glass beaker, and turns it into an organized pencil holder.

    Visit Farm store
    -
    navigate


    previous / next
  • -
    Adapter


    The Singapore Art Museum and FARM invited SILNT to MADE FOR SAM - a re-invention of everyday items into a special range of functional and inspiring objets d'art that museum visitors can take home and use in their daily lives. Our brief was to design a pencil case for grown-ups.

    The Adapter is a flexible plug-in that can be used on almost any cylindrical object - like a cup or a glass beaker, and turns it into an organized pencil holder.

    Visit Farm store
    -
    navigate


    previous / next
  • -
    Adapter


    The Singapore Art Museum and FARM invited SILNT to MADE FOR SAM - a re-invention of everyday items into a special range of functional and inspiring objets d'art that museum visitors can take home and use in their daily lives. Our brief was to design a pencil case for grown-ups.

    The Adapter is a flexible plug-in that can be used on almost any cylindrical object - like a cup or a glass beaker, and turns it into an organized pencil holder.

    Visit Farm store
    -
    navigate


    previous / next
  • -
    Design Boundaries


    Campaign for The Design Society Conference 2011: Design Boundaries.

    Unsatisfied with the textbook definition of a designer - who traditionally works in a single discipline or geographic location, the art of maze-solving acts as a visual metaphor of how these individuals have navigated, broken down and reshaped the walls that confined their abilities.

    The campaign will run throughout SMRT displays and schools in Singapore.
    -
    navigate


    previous / next
  • -
    design boundaries


    Campaign for The Design Society Conference 2011: Design Boundaries.

    Unsatisfied with the textbook definition of a designer - who traditionally works in a single discipline or geographic location, the art of maze-solving acts as a visual metaphor of how these individuals have navigated, broken down and reshaped the walls that confined their abilities.

    The campaign will run throughout SMRT displays and schools in Singapore.
    -
    navigate


    previous / next
  • -
    design boundaries


    Campaign for The Design Society Conference 2011: Design Boundaries.

    Unsatisfied with the textbook definition of a designer - who traditionally works in a single discipline or geographic location, the art of maze-solving acts as a visual metaphor of how these individuals have navigated, broken down and reshaped the walls that confined their abilities.

    The campaign will run throughout SMRT displays and schools in Singapore.
    -
    navigate


    previous / next
  • -
    design boundaries


    Campaign for The Design Society Conference 2011: Design Boundaries.

    Unsatisfied with the textbook definition of a designer - who traditionally works in a single discipline or geographic location, the art of maze-solving acts as a visual metaphor of how these individuals have navigated, broken down and reshaped the walls that confined their abilities.

    The campaign will run throughout SMRT displays and schools in Singapore.
    -
    navigate


    previous / next
  • -
    design boundaries


    Campaign for The Design Society Conference 2011: Design Boundaries.

    Unsatisfied with the textbook definition of a designer - who traditionally works in a single discipline or geographic location, the art of maze-solving acts as a visual metaphor of how these individuals have navigated, broken down and reshaped the walls that confined their abilities.

    The campaign will run throughout SMRT displays and schools in Singapore.
    -
    navigate


    previous / next
  • -
    calendar 2011


    The second of the typographic series by SILNT - calendar 2011 measures 820 x 297mm (11.7 x 32'), typeset in Akzidenz Grotesk and printed on 150 gsm Curious Particles Snow Paper in an edition of 250.

    Originally made for the designer's personal use, the calendar's unorthodox horizontal format is ideal for marking project schedules and counting down to the deadlines.

    Buy online
    -
    navigate


    previous / next
  • -
    calendar 2011


    The second of the typographic series by SILNT - calendar 2011 measures 820 x 297mm (11.7 x 32'), typeset in Akzidenz Grotesk and printed on 150 gsm Curious Particles Snow Paper in an edition of 250.

    Originally made for the designer's personal use, the calendar's unorthodox horizontal format is ideal for marking project schedules and counting down to the deadlines.

    Buy online
    -
    navigate


    previous / next
  • -
    calendar 2011


    The second of the typographic series by SILNT - calendar 2011 measures 820 x 297mm (11.7 x 32'), typeset in Akzidenz Grotesk and printed on 150 gsm Curious Particles Snow Paper in an edition of 250.

    Originally made for the designer's personal use, the calendar's unorthodox horizontal format is ideal for marking project schedules and counting down to the deadlines.

    Buy online
    -
    navigate


    previous / next
  • -
    calendar 2011


    The second of the typographic series by SILNT - calendar 2011 measures 820 x 297mm (11.7 x 32'), typeset in Akzidenz Grotesk and printed on 150 gsm Curious Particles Snow Paper in an edition of 250.

    Originally made for the designer's personal use, the calendar's unorthodox horizontal format is ideal for marking project schedules and counting down to the deadlines.

    Buy online
    -
    navigate


    previous / next
  • -
    calendar 2011


    The second of the typographic series by SILNT - calendar 2011 measures 820 x 297mm (11.7 x 32'), typeset in Akzidenz Grotesk and printed on 150 gsm Curious Particles Snow Paper in an edition of 250.

    Originally made for the designer's personal use, the calendar's unorthodox horizontal format is ideal for marking project schedules and counting down to the deadlines.

    Buy online
    -
    navigate


    previous / next
  • -
    bracket vol. 01


    Bracket is conceived as a publication that features everything in between. Ideas, voices and processes that are overlooked and under-appreciated.

    The collection features 8 volumes to be published from now till 2012 on topics from Craft, Hunger, Ethics to Failure.

    The A2 large format paper is printed on 60gsm newsprint paper.

    Publisher: Anonymous
    Concept & Design: SILNT

    Visit www.brckt.com
    -
    navigate


    previous / next
  • -
    bracket vol. 01


    Bracket is conceived as a publication that features everything in between. Ideas, voices and processes that are overlooked and under-appreciated.

    The collection features 8 volumes to be published from now till 2012 on topics from Craft, Hunger, Ethics to Failure.

    The A2 large format paper is printed on 60gsm newsprint paper.

    Publisher: Anonymous
    Concept & Design: SILNT

    Visit www.brckt.com
    -
    navigate


    previous / next
  • -
    bracket vol. 01


    Bracket is conceived as a publication that features everything in between. Ideas, voices and processes that are overlooked and under-appreciated.

    The collection features 8 volumes to be published from now till 2012 on topics from Craft, Hunger, Ethics to Failure.

    The A2 large format paper is printed on 60gsm newsprint paper.

    Publisher: Anonymous
    Concept & Design: SILNT

    Visit www.brckt.com
    -
    navigate


    previous / next
  • -
    bracket vol. 01


    Bracket is conceived as a publication that features everything in between. Ideas, voices and processes that are overlooked and under-appreciated.

    The collection features 8 volumes to be published from now till 2012 on topics from Craft, Hunger, Ethics to Failure.

    The A2 large format paper is printed on 60gsm newsprint paper.

    Publisher: Anonymous
    Concept & Design: SILNT

    Visit www.brckt.com
    -
    navigate


    previous / next
  • -
    bracket vol. 01


    Bracket is conceived as a publication that features everything in between. Ideas, voices and processes that are overlooked and under-appreciated.

    The collection features 8 volumes to be published from now till 2012 on topics from Craft, Hunger, Ethics to Failure.

    The A2 large format paper is printed on 60gsm newsprint paper.

    Publisher: Anonymous
    Concept & Design: SILNT

    Visit www.brckt.com
    -
    navigate


    previous / next
  • -
    bracket vol. 01


    Bracket is conceived as a publication that features everything in between. Ideas, voices and processes that are overlooked and under-appreciated.

    The collection features 8 volumes to be published from now till 2012 on topics from Craft, Hunger, Ethics to Failure.

    The A2 large format paper is printed on 60gsm newsprint paper.

    Publisher: Anonymous
    Concept & Design: SILNT

    Visit www.brckt.com
    -
    navigate


    previous / next
  • -
    a design film festival


    Conceived as the first film festival dedicated solely to design - SILNT worked on the curation, design and strategy of A Design Film Festival.

    Produced by our think tank, Anonymous - the first edition of the festival launched in Singapore and has travelled to Berlin, Taipei, kaohsiung and Bangkok.

    Visit website
    -
    navigate


    previous / next
  • -
    a design film festival


    Conceived as the first film festival dedicated solely to design - SILNT worked on the curation, design and strategy of A Design Film Festival.

    Produced by our think tank, Anonymous - the first edition of the festival launched in Singapore and has travelled to Berlin, Taipei, kaohsiung and Bangkok.

    Visit website
    -
    navigate


    previous / next
  • -
    a design film festival site


    The site is designed in a single-page horizontal scrolling format.

    Our approach was to strip everything down to it's simplest form - with as little design as possible. Instead focusing on the task at hand, to promote the films.

    The typography is set in large, glorious Helvetica - with all extra content neatly hidden away, until revealed by simply clicking the "read more.." links.

    Visit festival website
    -
    navigate


    previous / next
  • -
    a design film festival site


    The site is designed in a single-page horizontal scrolling format.

    Our approach was to strip everything down to it's simplest form - with as little design as possible. Instead focusing on the task at hand, to promote the films.

    The typography is set in large, glorious Helvetica - with all extra content neatly hidden away, until revealed by simply clicking the "read more.." links.

    Visit festival website
    -
    navigate


    previous / next
  • -
    a design film festival site


    The site is designed in a single-page horizontal scrolling format.

    Our approach was to strip everything down to it's simplest form - with as little design as possible. Instead focusing on the task at hand, to promote the films.

    The typography is set in large, glorious Helvetica - with all extra content neatly hidden away, until revealed by simply clicking the "read more.." links.

    Visit festival website
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  • -
    a design film festival site


    The site is designed in a single-page horizontal scrolling format.

    Our approach was to strip everything down to it's simplest form - with as little design as possible. Instead focusing on the task at hand, to promote the films.

    The typography is set in large, glorious Helvetica - with all extra content neatly hidden away, until revealed by simply clicking the "read more.." links.

    Visit festival website
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  • -
    a design film festival site


    The site is designed in a single-page horizontal scrolling format.

    Our approach was to strip everything down to it's simplest form - with as little design as possible. Instead focusing on the task at hand, to promote the films.

    The typography is set in large, glorious Helvetica - with all extra content neatly hidden away, until revealed by simply clicking the "read more.." links.

    Visit festival website
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    navigate


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  • -
    a design film festival poster


    The festival poster is designed on 150gsm monet paper, embossed with a seal of authenticity and produced in an edition of 250pcs.

    Measuring 841 x 594mm - each poster is rolled with a layer of silver waterproof sheet for protection and packed into 3' wide carton tubes made of high quality Kraft paper.

    Visit poster microsite
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  • -
    a design film festival poster


    The festival poster is designed on 150gsm monet paper, embossed with a seal of authenticity and produced in an edition of 250pcs.

    Measuring 841 x 594mm - each poster is rolled with a layer of silver waterproof sheet for protection and packed into 3' wide carton tubes made of high quality Kraft paper.

    Visit poster microsite
    -
    navigate


    previous / next
  • -
    a design film festival poster


    The festival poster is designed on 150gsm monet paper, embossed with a seal of authenticity and produced in an edition of 250pcs.

    Measuring 841 x 594mm - each poster is rolled with a layer of silver waterproof sheet for protection and packed into 3' wide carton tubes made of high quality Kraft paper.

    Visit poster microsite
    -
    navigate


    previous / next
  • -
    a design film festival poster


    The festival poster is designed on 150gsm monet paper, embossed with a seal of authenticity and produced in an edition of 250pcs.

    Measuring 841 x 594mm - each poster is rolled with a layer of silver waterproof sheet for protection and packed into 3' wide carton tubes made of high quality Kraft paper.

    Visit poster microsite
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  • -
    a design film festival tickets


    A series of admission tickets created for A Design Film Festival in Singapore.

    The tickets are designed by silkscreening a custom-mixed metallic ink on 150gsm new raglin black. The festival logo is blind-embossed to help audiences focus on the screening information rather than the umbrella event.

    The series features 21 editions, produced in a quantity of 150 pcs.
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  • -
    a design film festival tickets


    A series of admission tickets created for A Design Film Festival in Singapore.

    The tickets are designed by silkscreening a custom-mixed metallic ink on 150gsm new raglin black. The festival logo is blind-embossed to help audiences focus on the screening information rather than the umbrella event.

    The series features 21 editions, produced in a quantity of 150 pcs.
    -
    navigate


    previous / next
  • -
    a design film festival tickets


    A series of admission tickets created for A Design Film Festival in Singapore.

    The tickets are designed by silkscreening a custom-mixed metallic ink on 150gsm new raglin black. The festival logo is blind-embossed to help audiences focus on the screening information rather than the umbrella event.

    The series features 21 editions, produced in a quantity of 150 pcs.
    -
    navigate


    previous / next
  • -
    a design film festival tickets


    A series of admission tickets created for A Design Film Festival in Singapore.

    The tickets are designed by silkscreening a custom-mixed metallic ink on 150gsm new raglin black. The festival logo is blind-embossed to help audiences focus on the screening information rather than the umbrella event.

    The series features 21 editions, produced in a quantity of 150 pcs.
    -
    navigate


    previous / next
  • -
    a design film festival tickets


    A series of admission tickets created for A Design Film Festival in Singapore.

    The tickets are designed by silkscreening a custom-mixed metallic ink on 150gsm new raglin black. The festival logo is blind-embossed to help audiences focus on the screening information rather than the umbrella event.

    The series features 21 editions, produced in a quantity of 150 pcs.
    -
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  • -
    help save paper


    Paper merchant, Antalis approached us to curate and design a series of calendars for two thousand ten. Instead of designing a calendar, we initiated a movement. A movement to help save paper.

    The 12 objects were featured on the Antalis 2010 calendar, to serve as inspiration to and a reminder of the infinite possibilities that paper presents.

    Visit microsite
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  • -
    help save paper


    Paper merchant, Antalis approached us to curate and design a series of calendars for two thousand ten. Instead of designing a calendar, we initiated a movement. A movement to help save paper.

    The 12 objects were featured on the Antalis 2010 calendar, to serve as inspiration to and a reminder of the infinite possibilities that paper presents.

    Visit microsite
    -
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  • -
    help save paper


    Paper merchant, Antalis approached us to curate and design a series of calendars for two thousand ten. Instead of designing a calendar, we initiated a movement. A movement to help save paper.

    The 12 objects were featured on the Antalis 2010 calendar, to serve as inspiration to and a reminder of the infinite possibilities that paper presents.

    Visit microsite
    -
    navigate


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  • -
    help save paper


    Paper merchant, Antalis approached us to curate and design a series of calendars for two thousand ten. Instead of designing a calendar, we initiated a movement. A movement to help save paper.

    The 12 objects were featured on the Antalis 2010 calendar, to serve as inspiration to and a reminder of the infinite possibilities that paper presents.

    Visit microsite
    -
    navigate


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  • -
    help save paper


    Paper merchant, Antalis approached us to curate and design a series of calendars for two thousand ten. Instead of designing a calendar, we initiated a movement. A movement to help save paper.

    The 12 objects were featured on the Antalis 2010 calendar, to serve as inspiration to and a reminder of the infinite possibilities that paper presents.

    Visit microsite
    -
    navigate


    previous / next
  • -
    help save paper


    Paper merchant, Antalis approached us to curate and design a series of calendars for two thousand ten. Instead of designing a calendar, we initiated a movement. A movement to help save paper.

    The 12 objects were featured on the Antalis 2010 calendar, to serve as inspiration to and a reminder of the infinite possibilities that paper presents.

    Visit microsite
    -
    navigate


    previous / next
  • -
    help save paper


    Paper merchant, Antalis approached us to curate and design a series of calendars for two thousand ten. Instead of designing a calendar, we initiated a movement. A movement to help save paper.

    The 12 objects were featured on the Antalis 2010 calendar, to serve as inspiration to and a reminder of the infinite possibilities that paper presents.

    Visit microsite
    -
    navigate


    previous / next
  • -
    help save paper


    Paper merchant, Antalis approached us to curate and design a series of calendars for two thousand ten. Instead of designing a calendar, we initiated a movement. A movement to help save paper.

    The 12 objects were featured on the Antalis 2010 calendar, to serve as inspiration to and a reminder of the infinite possibilities that paper presents.

    Visit microsite
    -
    navigate


    previous / next
  • -
    help save paper


    Paper merchant, Antalis approached us to curate and design a series of calendars for two thousand ten. Instead of designing a calendar, we initiated a movement. A movement to help save paper.

    The 12 objects were featured on the Antalis 2010 calendar, to serve as inspiration to and a reminder of the infinite possibilities that paper presents.

    Visit microsite
    -
    navigate


    previous / next
  • -
    help save paper


    Paper merchant, Antalis approached us to curate and design a series of calendars for two thousand ten. Instead of designing a calendar, we initiated a movement. A movement to help save paper.

    The 12 objects were featured on the Antalis 2010 calendar, to serve as inspiration to and a reminder of the infinite possibilities that paper presents.

    Visit microsite
    -
    navigate


    previous / next
  • -
    help save paper


    Paper merchant, Antalis approached us to curate and design a series of calendars for two thousand ten. Instead of designing a calendar, we initiated a movement. A movement to help save paper.

    The 12 objects were featured on the Antalis 2010 calendar, to serve as inspiration to and a reminder of the infinite possibilities that paper presents.

    Visit microsite
    -
    navigate


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  • -
    krish identity


    Branding & Identity for Krish - a South Asian influenced contemporary European restaurant.

    We worked on the identity, stationary, menu and glasshouse environmental design. The business cards are designed by foil-stamping a custom-mixed metallic ink and PMS 419U on 440gsm duplexed New Raglin paper.

    The Krish monogram features micro details that symbolize fine cuisine; martini glasses, wine bottles, sauce boats, cutlery and more.
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  • -
    krish identity


    Branding & Identity for Krish - a South Asian influenced contemporary European restaurant.

    We worked on the identity, stationary, menu and glasshouse environmental design. The business cards are designed by foil-stamping a custom-mixed metallic ink and PMS 419U on 440gsm duplexed New Raglin paper.

    The Krish monogram features micro details that symbolize fine cuisine; martini glasses, wine bottles, sauce boats, cutlery and more.
    -
    navigate


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  • -
    krish identity


    Branding & Identity for Krish - a South Asian influenced contemporary European restaurant.

    We worked on the identity, stationary, menu and glasshouse environmental design. The business cards are designed by foil-stamping a custom-mixed metallic ink and PMS 419U on 440gsm duplexed New Raglin paper.

    The Krish monogram features micro details that symbolize fine cuisine; martini glasses, wine bottles, sauce boats, cutlery and more.
    -
    navigate


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  • -
    krish identity


    Branding & Identity for Krish - a South Asian influenced contemporary European restaurant.

    We worked on the identity, stationary, menu and glasshouse environmental design. The business cards are designed by foil-stamping a custom-mixed metallic ink and PMS 419U on 440gsm duplexed New Raglin paper.

    The Krish monogram features micro details that symbolize fine cuisine; martini glasses, wine bottles, sauce boats, cutlery and more.
    -
    navigate


    previous / next
  • -
    krish identity


    Branding & Identity for Krish - a South Asian influenced contemporary European restaurant.

    We worked on the identity, stationary, menu and glasshouse environmental design. The business cards are designed by foil-stamping a custom-mixed metallic ink and PMS 419U on 440gsm duplexed New Raglin paper.

    The Krish monogram features micro details that symbolize fine cuisine; martini glasses, wine bottles, sauce boats, cutlery and more.
    -
    navigate


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  • -
    h is for haiti


    On 12th Jan 2010, a 7.1 magnitude earthquake struck Haiti, causing over 200,000 deaths.

    Along with eBoy, Neubau, Build and some of the world's most influential designers, we were invited to design a poster to support the Haiti Earthquake Relief Cause.

    The Snellen chart was developed in 1862 to assist physicians in vision assessment. This artwork appears austere and seemingly meaningless, unless the viewer makes the effort to unravel it.
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  • -
    h is for haiti


    On 12th Jan 2010, a 7.1 magnitude earthquake struck Haiti, causing over 200,000 deaths.

    Along with eBoy, Neubau, Build and some of the world's most influential designers, we were invited to design a poster to support the Haiti Earthquake Relief Cause.

    The Snellen chart was developed in 1862 to assist physicians in vision assessment. This artwork appears austere and seemingly meaningless, unless the viewer makes the effort to unravel it.
    -
    navigate


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  • -
    h is for haiti


    On 12th Jan 2010, a 7.1 magnitude earthquake struck Haiti, causing over 200,000 deaths.

    Along with eBoy, Neubau, Build and some of the world's most influential designers, we were invited to design a poster to support the Haiti Earthquake Relief Cause.

    The Snellen chart was developed in 1862 to assist physicians in vision assessment. This artwork appears austere and seemingly meaningless, unless the viewer makes the effort to unravel it.
    -
    navigate


    previous / next
  • -
    h is for haiti


    On 12th Jan 2010, a 7.1 magnitude earthquake struck Haiti, causing over 200,000 deaths.

    Along with eBoy, Neubau, Build and some of the world's most influential designers, we were invited to design a poster to support the Haiti Earthquake Relief Cause.

    The Snellen chart was developed in 1862 to assist physicians in vision assessment. This artwork appears austere and seemingly meaningless, unless the viewer makes the effort to unravel it.
    -
    navigate


    previous / next
  • -
    h is for haiti


    On 12th Jan 2010, a 7.1 magnitude earthquake struck Haiti, causing over 200,000 deaths.

    Along with eBoy, Neubau, Build and some of the world's most influential designers, we were invited to design a poster to support the Haiti Earthquake Relief Cause.

    The Snellen chart was developed in 1862 to assist physicians in vision assessment. This artwork appears austere and seemingly meaningless, unless the viewer makes the effort to unravel it.
    -
    navigate


    previous / next
  • -
    h is for haiti


    On 12th Jan 2010, a 7.1 magnitude earthquake struck Haiti, causing over 200,000 deaths.

    Along with eBoy, Neubau, Build and some of the world's most influential designers, we were invited to design a poster to support the Haiti Earthquake Relief Cause.

    The Snellen chart was developed in 1862 to assist physicians in vision assessment. This artwork appears austere and seemingly meaningless, unless the viewer makes the effort to unravel it.
    -
    navigate


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  • -
    art with sound


    Art with Sound, is a cross-disciplinary collaboration between designers and musicians from Japan and Singapore. The exhibition brings together the complexities of the two disciplines, both innate and compelling to each other.

    The exhibition features 20 designers and musicians from Tokyo and Singapore collaborating to produce a complimentary artwork and music track.

    Launched in Berlin, the exhibition has travelled to Tokyo, Shanghai and Kuala Lumpur.

    Visit exhibition site
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  • -
    art with sound


    Art with Sound, is a cross-disciplinary collaboration between designers and musicians from Japan and Singapore. The exhibition brings together the complexities of the two disciplines, both innate and compelling to each other.

    The exhibition features 20 designers and musicians from Tokyo and Singapore collaborating to produce a complimentary artwork and music track.

    Launched in Berlin, the exhibition has travelled to Tokyo, Shanghai and Kuala Lumpur.

    Visit exhibition site
    -
    navigate


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  • -
    art with sound


    Art with Sound, is a cross-disciplinary collaboration between designers and musicians from Japan and Singapore. The exhibition brings together the complexities of the two disciplines, both innate and compelling to each other.

    The exhibition features 20 designers and musicians from Tokyo and Singapore collaborating to produce a complimentary artwork and music track.

    Launched in Berlin, the exhibition has travelled to Tokyo, Shanghai and Kuala Lumpur.

    Visit exhibition site
    -
    navigate


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  • -
    art with sound


    Art with Sound, is a cross-disciplinary collaboration between designers and musicians from Japan and Singapore. The exhibition brings together the complexities of the two disciplines, both innate and compelling to each other.

    The exhibition features 20 designers and musicians from Tokyo and Singapore collaborating to produce a complimentary artwork and music track.

    Launched in Berlin, the exhibition has travelled to Tokyo, Shanghai and Kuala Lumpur.

    Visit exhibition site
    -
    navigate


    previous / next
  • -
    art with sound


    Art with Sound, is a cross-disciplinary collaboration between designers and musicians from Japan and Singapore. The exhibition brings together the complexities of the two disciplines, both innate and compelling to each other.

    The exhibition features 20 designers and musicians from Tokyo and Singapore collaborating to produce a complimentary artwork and music track.

    Launched in Berlin, the exhibition has travelled to Tokyo, Shanghai and Kuala Lumpur.

    Visit exhibition site
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  • -
    art with sound


    We designed a special edition box set containing the 10 artworks and 10 sounds created by the participating artists for the exhibition.

    The packaging is produced on 1290gsm German grey board, the artwork is printed on 300gsm Recycled FSC Certified Wove Fresh White in an edition of 100 pcs.
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  • -
    art with sound


    We designed a special edition box set containing the 10 artworks and 10 sounds created by the participating artists for the exhibition.

    The packaging is produced on 1290gsm German grey board, the artwork is printed on 300gsm Recycled FSC Certified Wove Fresh White in an edition of 100 pcs.
    -
    navigate


    previous / next
  • -
    art with sound


    We designed a special edition box set containing the 10 artworks and 10 sounds created by the participating artists for the exhibition.

    The packaging is produced on 1290gsm German grey board, the artwork is printed on 300gsm Recycled FSC Certified Wove Fresh White in an edition of 100 pcs.
    -
    navigate


    previous / next
  • -
    art with sound


    We designed a special edition box set containing the 10 artworks and 10 sounds created by the participating artists for the exhibition.

    The packaging is produced on 1290gsm German grey board, the artwork is printed on 300gsm Recycled FSC Certified Wove Fresh White in an edition of 100 pcs.
    -
    navigate


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  • -
    dual city sessions: null


    Dual City Sessions is a platform for international collaboration and cross-pollination of the diverse creative disciplines. To showcase efforts between two cities, bringing together emerging and innovative practitioners in the fields of art, fashion, music and design.

    The exhibition was held at giulianoFujiwara boutique in Tokyo, Japan and Old School in Singapore.

    Curators: silnt and artless
    Exhibition design by: Shuzo Okabe

    Visit exhibition site
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  • -
    dual city sessions: null


    Dual City Sessions is a platform for international collaboration and cross-pollination of the diverse creative disciplines. To showcase efforts between two cities, bringing together emerging and innovative practitioners in the fields of art, fashion, music and design.

    The exhibition was held at giulianoFujiwara boutique in Tokyo, Japan and Old School in Singapore.

    Curators: silnt and artless
    Exhibition design by: Shuzo Okabe

    Visit exhibition site
    -
    navigate


    previous / next
  • -
    dual city sessions: null


    Dual City Sessions is a platform for international collaboration and cross-pollination of the diverse creative disciplines. To showcase efforts between two cities, bringing together emerging and innovative practitioners in the fields of art, fashion, music and design.

    The exhibition was held at giulianoFujiwara boutique in Tokyo, Japan and Old School in Singapore.

    Curators: silnt and artless
    Exhibition design by: Shuzo Okabe

    Visit exhibition site
    -
    navigate


    previous / next
  • -
    dual city sessions: null


    Dual City Sessions is a platform for international collaboration and cross-pollination of the diverse creative disciplines. To showcase efforts between two cities, bringing together emerging and innovative practitioners in the fields of art, fashion, music and design.

    The exhibition was held at giulianoFujiwara boutique in Tokyo, Japan and Old School in Singapore.

    Curators: silnt and artless
    Exhibition design by: Shuzo Okabe

    Visit exhibition site
    -
    navigate


    previous / next
  • -
    dual city sessions: null


    Dual City Sessions is a platform for international collaboration and cross-pollination of the diverse creative disciplines. To showcase efforts between two cities, bringing together emerging and innovative practitioners in the fields of art, fashion, music and design.

    The exhibition was held at giulianoFujiwara boutique in Tokyo, Japan and Old School in Singapore.

    Curators: silnt and artless
    Exhibition design by: Shuzo Okabe

    Visit exhibition site
    -
    navigate


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  • -
    dual city sessions: null


    For the opening reception of the Singapore exhibition at Old School, we designed the invitation to complement the monochromatic and understated nature of the exhibition.

    The invitation is produced by white foil-stamping the artwork on 700gsm Sirio Black.
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  • -
    dual city sessions: null


    For the opening reception of the Singapore exhibition at Old School, we designed the invitation to complement the monochromatic and understated nature of the exhibition.

    The invitation is produced by white foil-stamping the artwork on 700gsm Sirio Black.
    -
    navigate


    previous / next
  • -
    dual city sessions: null


    For the opening reception of the Singapore exhibition at Old School, we designed the invitation to complement the monochromatic and understated nature of the exhibition.

    The invitation is produced by white foil-stamping the artwork on 700gsm Sirio Black.
    -
    navigate


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  • -
    distillery studio


    Micro-rebranding exercise for interior design consultancy, Distillery Studio - beginning from their business cards.

    The business card is designed by silkscreening a custom-mixed metallic bronze ink and PMS 419U on 220 gsm New Raglin paper,

    Distillery's existing logo is applied as an accent using blind-emboss, allowing the details of the logo to be seen on both sides subtly.
    -
    navigate


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  • -
    distillery studio


    Micro-rebranding exercise for interior design consultancy, Distillery Studio - beginning from their business cards.

    The business card is designed by silkscreening a custom-mixed metallic bronze ink and PMS 419U on 220 gsm New Raglin paper,

    Distillery's existing logo is applied as an accent using blind-emboss, allowing the details of the logo to be seen on both sides subtly.
    -
    navigate


    previous / next
  • -
    distillery studio


    Micro-rebranding exercise for interior design consultancy, Distillery Studio - beginning from their business cards.

    The business card is designed by silkscreening a custom-mixed metallic bronze ink and PMS 419U on 220 gsm New Raglin paper,

    Distillery's existing logo is applied as an accent using blind-emboss, allowing the details of the logo to be seen on both sides subtly.
    -
    navigate


    previous / next
  • -
    distillery studio


    Micro-rebranding exercise for interior design consultancy, Distillery Studio - beginning from their business cards.

    The business card is designed by silkscreening a custom-mixed metallic bronze ink and PMS 419U on 220 gsm New Raglin paper,

    Distillery's existing logo is applied as an accent using blind-emboss, allowing the details of the logo to be seen on both sides subtly.
    -
    navigate


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  • -
    noise


    Noise Singapore is a platform for creatives under the age of 35.

    With the year's message being "What noise do you wanna make?" - we designed the publication as an interactive (do-it-yourself) book that invites the reader to think about what noise they want to make.

    With activities such as to design the book cover, a typeface, pixel art, join-the-dots and word-search - and even a resolutions activity that helps lead the reader make their ideas happen by writing down action steps.

    Client: National Arts Council
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  • -
    noise


    Noise Singapore is a platform for creatives under the age of 35.

    With the year's message being "What noise do you wanna make?" - we designed the publication as an interactive (do-it-yourself) book that invites the reader to think about what noise they want to make.

    With activities such as to design the book cover, a typeface, pixel art, join-the-dots and word-search - and even a resolutions activity that helps lead the reader make their ideas happen by writing down action steps.

    Client: National Arts Council
    -
    navigate


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  • -
    noise


    Noise Singapore is a platform for creatives under the age of 35.

    With the year's message being "What noise do you wanna make?" - we designed the publication as an interactive (do-it-yourself) book that invites the reader to think about what noise they want to make.

    With activities such as to design the book cover, a typeface, pixel art, join-the-dots and word-search - and even a resolutions activity that helps lead the reader make their ideas happen by writing down action steps.

    Client: National Arts Council
    -
    navigate


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  • -
    noise


    Noise Singapore is a platform for creatives under the age of 35.

    With the year's message being "What noise do you wanna make?" - we designed the publication as an interactive (do-it-yourself) book that invites the reader to think about what noise they want to make.

    With activities such as to design the book cover, a typeface, pixel art, join-the-dots and word-search - and even a resolutions activity that helps lead the reader make their ideas happen by writing down action steps.

    Client: National Arts Council
    -
    navigate


    previous / next
  • -
    noise


    Noise Singapore is a platform for creatives under the age of 35.

    With the year's message being "What noise do you wanna make?" - we designed the publication as an interactive (do-it-yourself) book that invites the reader to think about what noise they want to make.

    With activities such as to design the book cover, a typeface, pixel art, join-the-dots and word-search - and even a resolutions activity that helps lead the reader make their ideas happen by writing down action steps.

    Client: National Arts Council
    -
    navigate


    previous / next
  • -
    noise


    Noise Singapore is a platform for creatives under the age of 35.

    With the year's message being "What noise do you wanna make?" - we designed the publication as an interactive (do-it-yourself) book that invites the reader to think about what noise they want to make.

    With activities such as to design the book cover, a typeface, pixel art, join-the-dots and word-search - and even a resolutions activity that helps lead the reader make their ideas happen by writing down action steps.

    Client: National Arts Council
    -
    navigate


    previous / next
  • -
    noise


    Noise Singapore is a platform for creatives under the age of 35.

    With the year's message being "What noise do you wanna make?" - we designed the publication as an interactive (do-it-yourself) book that invites the reader to think about what noise they want to make.

    With activities such as to design the book cover, a typeface, pixel art, join-the-dots and word-search - and even a resolutions activity that helps lead the reader make their ideas happen by writing down action steps.

    Client: National Arts Council
    -
    navigate


    previous / next
  • -
    noise


    Noise Singapore is a platform for creatives under the age of 35.

    With the year's message being "What noise do you wanna make?" - we designed the publication as an interactive (do-it-yourself) book that invites the reader to think about what noise they want to make.

    With activities such as to design the book cover, a typeface, pixel art, join-the-dots and word-search - and even a resolutions activity that helps lead the reader make their ideas happen by writing down action steps.

    Client: National Arts Council
    -
    navigate


    previous